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One of the most famous French painters and engravers, Pierre Bonnard was famous for his ingenious experiments with color. He however, was not revolutionary in his painting style, but definitely was a master at portraying human emotions through the colors. His fluency with the colors to look for critical acclaim and appreciation of all art lovers.
Pierre Bonnard was born on 03 October 1867, at Fontenay-aux-Roses, near Paris, a senior official of the French ministry. His childhood was therefore spent in luxury and therefore had a very careless and idyllic youth. Due to parental pressure, Bonnard, graduated in law and briefly in practice. He however, was always interested in art and took additional courses for the same during their free time. On March 11, 1887, he enrolled in ASCOL des Beaux-Arts and determined to be a full time artist.
In his youth, Pierre Bonnard, co-founder of a group of young "symbolic" and "spiritual artists, called Les Nabis. Nabi exhibited his works in the gallery as Le Barc de Boutteville. During this phase, was tested extensively with the patterns of textiles and furniture, while also had an effect in Japan in its work. His friends, even lovingly called him "a very Nipponized Nabi." In March and April 1891, Pierre first exhibited his work in the © tà © Société des Artistes Indépendants, bringing much-needed support of all art critics. Thereafter, annual exposed to society.
In 1893, Pierre married Marta de MÃ © Ligny, later the model for Most of his paintings. The obsessively portrayed in their routine activities, which extends to cover her naked. His work after marriage, therefore, became very personal in its essence. Some of the famous paintings of the period are "indolence" (1899) and "Men and Women" (1900). In 1896, he had his first exhibition at the Galerie Durand-Ruel. Here, the great French artist Toulouse-Lautrec appreciated his winning poster. In 1910, Pierre left Paris for the southern France.
All Meanwhile, the range of paintings by the artist extended from portraits to still lifes and landscapes. Bonnard transform the mundane, simple day to-day objects that vibrate, iridescent, slightly subjects depicted in his paintings. Small brush gave a marked influence of "mystery of Surrealism" in them. The hallmark of Bonnard's painting was the jump in real time on them. The same objects in the room, like tablecloths, teapots, trays and rotated through the painting. The subjects seemed weak, creating a strange mystery. Some paintings are renowned as the "white interior" (1932), "Still Life with Fruit" (1936), "The Dining Room in the Country" (1913), "Woman in Front of a Mirror" (1908), and The Terrasse Family "(1902).
The artist died on 23 January 1947, leaving behind a legacy of art. Pierre passion for art is evident in his use of color with great vividness and emotions. In 1998, His works were exhibited at the Metropolitan Museum of Art. The series of paintings entitled, "Pierre Bonnard: Interiors last hour." Once said, "Before to add color, you have to see things at once, or watch them over and over again. "
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